You then to whom the Word is given, you who aspire to the disciplines of the Spirit

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You then to whom the Word is given, you who aspire to the disciplines of the Spirit should understand that a tightly knit order of things is essential because without the closeness of the cubit stones the pyramid would not adhere, without it even the pressures of roots and grass would separate stone from stone.  Therefore you will understand that the closely knit construction that smoothes the way for each stone to fit against one another is the compassion of God.  It is the design of the Grand Architect that smoothes the way and enables harmony to exist in the consciousness of mankind….

But men must understand that as these (ascension) spirals become closely knit there is a definite responsibility to the cubit stone.  The cubit stone of identity must conform to the necessary patterns whereby there will come about the manifestation of individuality in accordance with cosmic principle.  Today men are functioning haphazardly, attempting to produce individuality through personality aspects instead of recognizing the nature of true being.  When we are involved with cosmic law we are involved with an identification with unity.    -Serapis Bey:  Pearls of Wisdom 7-3-1967

pyramids-37-King’s Chamber inside the Great Pyramid

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118. In legends about Armageddon there are mentioned people with covered faces. Is there not something similar taking place now? It can be seen that the whole world is gradually putting on a veil and brother rises against brother. Precisely, the covered faces are marking time.  -M:  Brotherhood 1937

116.  People assume that creation is peaceful and battle destructive, but how can one think of creation without mastery over the elements, without a courageous struggle to overcome obstacles? Thus our battle too is mastery over chaos.   -Morya:  Supermundane 1, 1938

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The word is clear from the Lords of Karma:  keepers of the flame, if you do not take the responsibility for the economy of this city and this nation by your dynamic decrees, we cannot hold back therefore the malintent of the fallen ones directed upon the ignorant masses and the mankind of this Earth.  -Lady Venus:  4-23-1978 at NYC, see http://books.google.com/books?id=_trI7hom-1EC&pg=PA211&dq=clare+prophet+government+control+economy&hl=en&sa=X&ei=4k7pU-rkDtK8oQTbzYDoBg&ved=0CBwQ6AEwAA#v=onepage&q=clare%20prophet%20government%20control%20economy&f=false

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“decoding” with Wells Gallup

Step 1:    We are at this page 98 of Wells Gallup’s own illustration/”proof” of her decoding method.  Herein she shows a dedicatory page of the 1623 first folio of Shakespearean plays, which begins TO THE MEMORIE

http://books.google.com/books?id=Y6c3AAAAIAAJ&pg=RA1-PA98&dq=wells+gallup+to+the+memorie&hl=en&sa=X&ei=-wftU9KwHsT3oATS6IHIAg&ved=0CCAQ6AEwAA#v=onepage&q=wells%20gallup%20to%20the%20memorie&f=false

Step 2:   We are following then her own decoding, which she gives at her pages 106-7:

http://books.google.com/books?id=Y6c3AAAAIAAJ&pg=RA1-PA107&dq=wells+gallup+deciphered+message+francis&hl=en&sa=X&ei=gwntU6vsK8_eoAS4loL4Aw&ved=0CBwQ6AEwAA#v=onepage&q=wells%20gallup%20deciphered%20message%20francis&f=false

Step 3:    Specifically at page 106 we see this:  TOTHE MEMOR IEoft.  

Here Wells Gallup claims that the first M is italic typeface and the second M is Roman typeface. But are they so?  Now attend the E:  the first E in the phrase shown Wells Gallup claims to be italic (because supposedly the middle of the E is short as compared to Roman E which has a longer middle part).  It is very clear by scientific measurement that the three E letters are all the same, not one italic followed by two Roman as Wells Gallup claims.  Her “decoding” (which was all simply her wishful thinking) has never been demonstrated by another person, never, not one person has decoded this supposed binary encoding of the 1623 first folio specifically at this dedicatory page which begins TO THE MEMORIE.  Is it possible that there is some kind of encoding in the 1623 first folio?  Of course.  Let someone come forth to really demonstrate it.   -R at Mt. Shasta

“The Friedmans later published a careful study of her theory showing that the range of type forms used in the printing of the works of Shakespeare conformed to the normal printing practices of the time, meaning a lot of different fonts were used in an apparently haphazard manner. They report outside experts examined the letter fonts used in the printing of Shakespeare’s plays and concluded that, with few exceptions, it was not possible to unambiguously separate them into two groups, as the Bacon bi-literal cipher requires. Also that none of Mrs. Gallup’s decode assistants at Riverbank were ever able to duplicate her work.”  http://en.wikipedia.org/wiki/Elizabeth_Wells_Gallup

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